I just finished watching Inception, by Batman Forever's Christopher Nolan, starring Leonardo Di Caprio, Marion Cotillard, and Ellen Page. A movie that is 2 and a half hour long, but does not feel like one, the type of movie that I truly enjoy.
It tells about a group of secret agents who work in sort of mind espionage; getting into the mind of the victim to extract secrets which they could not get directly from any black-and-whites, like passwords or one's darkest secret. In this movie, the characters decided to take the tool a notch up, planting idea into the mind of the victims, to change them to make decisions or commit something which they will never commit due to their inherent original believes. Very cool premise indeed.
Written also by Christopher Nolan, this movie brings the audience to the possibility of playing with the mind by existing knowledge of human psychology; that dreams are human way of processing information, whatever that we dream of are our interpretation or ways of making sense to the reality of your day-to-day lives.
The hallmark of a great director, apart from able to inject humour into the story; like when the character of Joseph Gordon-Levitt, Arthur asked Ellen Page's Ariadne to kiss him after they realise the dreamscape they are in will about to break apart, thinking that the kiss would do something. After the kiss Ariadne realise that it did not work, Arthur said "well it was worth it", it also able to engage the audience throughout the whole show. I did not feel the story is 2 and a half hour long instead I was hoping for more for I was expecting more questions to be answered.
It's really quite impossible to come out with a mistake-proof, loopholeless fantasy movies, for you will always question every single details and people will always able to find fault in you and scriptwriter's job will not deserve to bother to even entertain those questions. (they should just say, "watch it again, if you still can;t find it, watch is yet again") I realise a good movies are able to hide well the holes camouflaged in superb plots and explosions, or make it so clever that it would be self-deprecating for people to even bring it up to their friends; it is so smart that everyone pretends to understand. I have in turn learn to accept the fact that good movies with strong premise like this are meant to be enjoyed, as long as they stimulate my intellectual hunger. Rather than questioning the details of the movie, I would want to just get inspired by the human potentials.
I find all audience around enjoy it. I know I do.